Mason is driven to protect her, and in doing so, both redeems himself and condemns himself to his fate.
The desperate Lucia tries to raise the amount. She decides to get rid of the corpse and puts it in her boat and dumps it far from home. When Lucia finds Darby dead, accidentally killed, she hides the body to protect her family. Set in the 1890s on the Hungarian plains, a group of farm workers go on strike in-which they face harsh reprisals and the reality of revolt, oppression, morality and violence.
Martin falls in love with Lucia and tries to help her too. | Claudio Carvalho, Rio de Janeiro, Brazil. Her teenage daughter Bea (Geraldine Brooks) is dating an older man of whom Lucia does not approve (who later turns up dead). Joan Bennett highlights Max Opuls' nuanced, ironic film noir. He asks for money to leave Bea, but Lucia refuses to give any. a rather original take on what is usually a very pedestrian setup. In the postwar period in the United States, the American viewers witnessed the rise of Film Noir, a genre that set a dark tone within the cinema. ( Log Out / Don't have an account?
Awards Rotten Tomatoes, home of the Tomatometer, is the most trusted measurement of quality for Movies & TV. Like her predecessor Veda Pierce, she fancies herself a worldly woman and has taken up with a penniless but pretentious lecher, who winds up dead. Unlike the other romances in Max Ophüls‘ filmography, The Reckless Moment is not a film in which Lucia’s heart is broken.
The on-disc extras cover, in great detail, particularly in the interviews with author Lutz Bacher and director Todd Haynes. After a few femme fatale roles, she turned up as a bespectacled, harassed mother, juggling doing the nightly accounts with coping with her teenage daughter's first love affair.
Ophüls found a sweet spot in blending noir and melodrama in his career, and does so with great success in The Reckless Moment.
For the former, Bacher wrote a book on Ophüls entitled, , using many of the details from that work to analyze, . The strong emotion and dramatic elements are matched by the aforementioned visual work of Burnett Guffey. Reckless Moment, based on the short story The Blank Wall, by Elisabeth Sanxay Holding, was remade in 2001 as The Deep End, a neo-noir retelling with Tilda Swinton in Bennett's role. Bennett, best known for more overtly sexy roles, is mousy here, hair tightly curled, bespectacled, jaw tense with determination.
It plays off of her status as a housewife and mother quite well, showing her utilizing everything she has in her possession to try to pay the money while even deriving tension from her crunching the family budget. Lucia Harper (Joan Bennett) confronts Ted Darby (Shepperd Strudwick) and demands he stop seeing her daughter Bea (Geraldine Brooks), but is not successful. Written by Directed by Max Ophüls.
After discovering the dead body of her teenage daughter's lover, a housewife takes desperate measures to protect her family from scandal. Is wrapped in deepest melancholy. A very different movie from Max Ophuls' masterpiece, THE EARINGS OF MADAM DE While her husband is away for Christmas, lonely, harried housewife Joan Bennett is blackmailed by handsome, suave extortionist James Mason.
This film looks forward to the melodramas that Douglas Sirk (another European émigré) would make in the following decade, that used melodrama to uncover tensions in an increasingly conformist nation, and how the ideals of home and children can be a trap, especially for women. View production, box office, & company info. ( Log Out / The interview with Haynes does much of the same with the two men’s observations combining to offer a comprehensive experience. The Reckless Moment was Ophuls’s final film made in the USA, and he returned to France for the rest of his career. Ophuls cleverly uses just about every scene to illustrate the tensions and inner conflicts of Bennett's character. The two extras make one want to watch, again, this time focusing on the details the two men point out. But all is not going to be straight forward as Martin & Lucia are strangely drawn to each other.
is consistently striking, utilizing heavy shadows that almost completely engulf the frame. The strong emotion and dramatic elements are matched by the aforementioned visual work of Burnett Guffey. As a fan of Haynes, it is interesting to see how he was influenced by, The other three on-disc extras are compiled via a pair of lectures at Birkbeck, University of London held by Adrian Garvey and Sarah Thomas. Donnelly wants $5000 for the letters. The Reckless Moment was to be Ophuls’s last American film. Bea does not believe her mother when told and during the night she sneaks out to the boat garage to meet Ted who admits that Lucia told the truth. especially shines. The next morning, Lucia finds the body and assumes that Bea has killed her lover. There is never a spoken romance between the two, but there is a connection formed over the course of the film. Her teenage daughter Bea (. In particular, a discussion of the film’s politics is incredibly interesting.
There are echoes of later dramas from. At the time, Ophuls and Sirk were dismissed as the makers of trifling “women’s pictures”, but with the passing of time – and in particular, feminist analysis – their reputation has increased considerably. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. The desperate Lucia tries to raise the amount since her husband is working in Berlin. Some links on this site are affiliated. She decides to get rid of the corpse and puts it in her boat and dumps it far from home. An unusual film, this slow-burner starring Joan Bennett and James Mason seems like a straight-forward murder and blackmail case, but that's only part of the story. Proving quite affecting in its characterizations and eye-catching cinematography, The Reckless Moment is an incredibly rewarding watch. Tom is away in Berlin and will, as he informs her, not be home for Christmas. This splendidly nuanced work has emerged as one of the standouts of the noir cycle, its ironies so understated that their oppressive weight isn't felt until long after the film has unspooled. Proving quite affecting in its characterizations and eye-catching cinematography. Lucia is constantly referred to as Mrs. Harper throughout the film; in her world, she has no existence outside of being a wife and mother. Joan Bennett effectively handles the central role of a harried housewife who finds out she has to deal with a blackmailer (James Mason) in an effort to shield her daughter (Geraldine Brooks) from murder charges.
When the police find Ted, the stranger Martin Donnelly (James Mason) visits Lucia to blackmail her on behalf of his partner Nagel (Roy Roberts) that has several letters that Bea had written to Ted, asking US$ 5,000 for the letters. Ophuls camera creates nagging, dark atmosphere out of this middle class community, sort of like on a Twin Peaks episode. She loves her family and everybody there. Proving quite affecting in its characterizations and eye-catching cinematography, The Reckless Moment is an incredibly rewarding watch. There is a 36-page booklet included with a great essay on “Caught Women” in Ophüls’ work written by Samm Deighan. The Reckless Moment, which is based on a Ladies Home Journal short story “The Blank Wall” by Elizabeth Sanxay Holding, uses its thriller trappings to tell a love story, but it’s a repressed and unrequited one. Not a wasted frame. Yet, no matter the societal barriers, she remains strong and determined.
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Unusually for a film noir, too, this femme fatale survives. Looking for some great streaming picks? Like her predecessor Veda Pierce, she fancies herself a worldly woman and has taken up with a penniless but pretentious lecher, who winds up dead. | Throughout, Garvey and Thomas demonstrate great knowledge of the film and James Mason, making their observations and conversations with the crowd quite compelling. FAQ I'll vote for both. The Reckless Moment is a great match of melodrama with noir, wonderfully directed by Max Ophüls with matching strong performances from Joan Bennett and James Mason. She and her husband Tom genuinely love one another. Joan Bennett was certainly the most versatile of her acting sisters. Don't have an account? The on-disc extras cover The Reckless Moment in great detail, particularly in the interviews with author Lutz Bacher and director Todd Haynes. Her seventeen year-old daughter Beatrice (Geraldine Brooks) is in love with Ted that is a worthless man. Metacritic Reviews. However, what proves to be most impressive are Ophüls’ trademark crane and tracking shots. It starred Wanger’s then wife Joan Bennett and James Mason, who had starred in Caught. On the next morning, Lucia finds the body and assumes that Bea has killed her lover. The interview nicely balances great production details with an in-depth analysis of Ophüls’ directorial style in, . Forgot your password? Donnelly wants $5000 for the letters. Fascinating in its mixing of the domestic with the noir, and its atypical contemporary setting, it’s a key work in Ophuls’s filmography, and Second Sight have done a good job in bringing it to DVD. Mason, who has top billing despite not appearing for some thirty minutes in an altogether short film, is a dominating presence, ably conveying the contradictory nature of his character. is a great match of melodrama with noir, wonderfully directed by Max Ophüls with matching strong performances from Joan Bennett and James Mason.
I thought he'd never smile again. The Reckless Moment (Blu-ray review) ★★★½. The first time I watched this one was years ago on the BBC, late at night. Ophuls’s unorthodox way of shooting – often covering scenes in one long take, moving in and out of close up and medium shot, staging the action in deep focus – worried the studios.
As Donnelly says to her, “You’re quite the prisoner, aren’t you?” Though she responds, “I don’t feel like one,” it is clear there is a sliver of truth to his words. James Mason is an Irish low-life, who hopes to make money from Bennett's family misfortunes. With James Mason, Joan Bennett, Geraldine Brooks, Henry O'Neill. Ophüls found a sweet spot in blending noir and melodrama in his career, and does so with great success in, .
While the Q&A comes with many of the typical pitfalls of audience Q&A sessions, there are a few keen observations that lead to compelling discussions. Lucia is a brilliant character, one that Bennett endows with grace and resolve.
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